Olga Antonova

Works
  • Still life painting of three cups
    THREE CUPS ON STRIPES, 2025
  • Still life painting of a kettle
    KETTLE WITH CHERRIES, 2025
  • Olga Antonova, APPLE ON PLATE, 2024
    APPLE ON PLATE, 2024
  • Painting of two teacups
    TWO STACKED CUPS ON POLKA DOTS, 2024
  • Painting of six teacups
    SIX BLUE CUPS, 2024
  • Stacked porcelain cups on a table with gold filigree background
    CUP TOWER AND GOLD FILIGREE, 2023
  • Stack of gold teacups in tower formation
    PORCELAIN AND GOLD TEACUPS, 2023
  • Painted stack of tea cups
    TOWER WITH GOLD SHELL CUP, 2023
  • Grey and gold shoes with polka dot socks in them
    SHOES WITH POLKA DOT SOCKS, 2022
  • Pear sitting on table with blue design in background
    CLASSIC PEAR, 2022
  • 3 stacks of gold and white tea cups with blue fish in tea cup
    TEA CUP WITH BLUE FISH, 2022
  • 3 pears sitting in metal vase on clothed table
    PEARS IN A METAL VASE, 2021
  • Woman sitting with white crane on shoulder
    SELF PORTRAIT WITH WHITE CRANE, 2019
  • Woman sitting with blue and yellow pheasant on shoulder
    SELF PORTRAIT WITH PHEASANT, 2019
  • 4 eggs in egg holder
    EGG HOLDER, 2014
  • Painting of a hat
    FLORAL HAT WITH PINK BORDER, 1997
  • Oil painting of woman sitting with peacock in lap on canvas
    SELF PORTRAIT WITH PEACOCK, 1990
  • Oil painting of woman with red feathered cap on canvas
    SELF PORTRAIT WITH RED FEATHERED CAP, 1990
  • Oil self portrait with white scarf on canvas
    SELF PORTRAIT WITH SCARF, 1989
  • Oil painting of woman in large black hat on canvas
    SELF PORTRAIT W/ BLACK HAT
Biography

Olga Antonova (b. 1956, Volgograd, Russia) completed her classical art training at the Ilya Repin Institute of Painting in St. Petersburg, Russia, in 1980. She subsequently immigrated to the United States and split her residency between Boston, MA, and France for over 15 years. She now resides and works in Plymouth, MA.

 

Well-regarded for her depictions of antique ceramics and domestic vessels, Antonova renders her still life paintings with delicate, tonally elegant brushwork. She identifies her practice as focused on the technical virtuosity of representing the materiality of her subjects. Antonova states, “For me, it’s not about the subject matter at all – subject matter is just a pretext for my execution and sensitivity to technical issues. I’m getting closer to the divine harmony, closer to divinity, but not quite yet. That is what is great about painting – just when you think you are getting there, the point of achievement moves away. But, I want to catch that moment of solitude, that quiet harmony that people can relate to. That’s what I’m after.”

 

Antonova has exhibited widely in the United States and internationally, most notably throughout Europe. Her work has been reviewed in many publications, including ARTnews and American Arts Quarterly.

Exhibitions